As promised, here's the opening scene from my Genesis entry. My category is Historical (not romance).
Even though I'm a finalist, the writing is far from perfect. So here's your chance to critique me. Go ahead, I can take it. And just for fun, guess the setting: year/location.
CHAPTER ONE
Jenkin huddled in the shadows as armed men emerged from the castle keep. He watched them herd his friends like cattle into a cage atop a huge cart. Horror deadened his limbs. This wasn’t part of the plan.
His lungs pumped hard to bring him air. He strained to hear the voices carried on the wind, but he couldn’t tell who spoke.
“We checked every room. There are no more servants inside. We have them all.”
“The family?”
“They were all together; one son, two daughters, Earwin and his wife. That’s the whole family, right?”
“Yeah, that’s all.”
“Stone dead, all of them.” The words echoed within the great walls.
Dead!
Jenkin reeled and clung to the wall behind him. Dead? Impossible. It was supposed to be a robbery. No real harm done. Steal a few things and go. People might get scared, but not hurt. He wouldn’t have opened the gates for them if he had known.
It was new moon, which aided the trespassers’ dark deeds. One of the men climbed into the driver’s seat of the wagon and whipped the horses. The rest mounted and followed.
Jenkin climbed to the gatehouse and stood at the arrow slit to watch the cart pass. A few riders fell back and stopped outside the stables. They tried the doors, but Jenkin had barred them. Stealing the horses was part of the plan, but he’d never had any intention of letting it happen. When the men tried the cottage, he tensed.
Jenkin stood ready to spring into action, but the door held. Finally the men gave up and left. He remained frozen for countless minutes.
Stone dead, all of them.
It couldn’t be true. He’d been given a solemn word.
The word of a cheat and a thief, a liar and a forger. What was that worth? He turned toward the keep. A forlorn sputter of candlelight flailed against the windows, as if trying to escape.
Perhaps the men just had wagging tongues. He might find the frightened family huddled together in the Great Hall. A burst of hopeful energy carried him across the courtyard and through the door. The Hall was empty. The sleeping level, then. He took the stairs three at a time, urgency screaming in his chest.
Halfway down the corridor Jenkin halted, his boots sliding sideways on the stone. Blood soaked the rush mats beneath five bodies. On top of each rested a small crucifix. The smell of blood clogged his nostrils. When he discerned the source—sizeable holes in their chests—he had to fight his rebelling stomach.
His eyes locked on the two sisters with arms entwined. The deep brown eyes of the first stared blankly at the ceiling. Golden hair covered the second face, for which he was grateful. He couldn’t have borne to see those merry blue eyes without any life in them.
No life.
He threw back his head and howled. “Snake! Vermin! You lied to me.” The family dead. His way of life gone. All for the promise of a few shillings as his part of the plunder. He whipped around, his accusing glance taking in silver candlesticks and gold ornaments. “What plunder?” Nothing had been taken. Not one scrap.
He clutched a rich tapestry and yanked it from the wall. He knocked the candlesticks to the floor in a satisfying clatter, then overturned the table. “Take it! Take it all! Just give them back to me. They’re my family, too.” He dropped to his knees and sobbed. “Why? Why did you do this?”
The question drove him back out into the too-still night. He ran to the cottage and found
He heated a knife over the fire, all the while glancing at
The fork-tongued weasel. He wouldn’t get away with it.
All his care with the seal was for nothing. No one must be allowed to see that will. He tossed it onto the glowing coals and watched the edges of the paper curl and burn.
8 comments:
Whoa, I like this. Good middle-ages flavor and all. No suggestions. I wanna read the whole book...
Lots of suspense. Like how you let the story unfold.
My suggestions: I would strike out "cattle" as it felt like an echo of castle and herded already has the cattle image.
The questioning of "right?" and the answer of "yeah" seemed to be too comtemporary for the time period.
I'd do a new paragraph to start "The word of a cheat..." so he's reminding himself the word was worthless.
For some reason, I also wanted to take "forlorn" out of the candle sentence. I found it stronger without it and then the flailing had more impact.
I would definitely want to read the whole book. Notice half of my suggestions are really just preferences.
Nice, Tina!
For "yeah" you could substitute "aye." For cattle, didn't the ancients also call them kine?
The 14th century is my special interest--I've been reading in that milieu for 30+ years...so if this is your time frame (it "feels" earlier) and you have questions, just ask.
Thanks, guys. I appreciate the compliments.
Christina, they may be mostly preferences, but I agree with every suggestion. I didn't think I'd agree with forlorn until I tried the sentence without it. It is better. The only thing I'm going to defend myself on is starting a new paragraph with "The word of a cheat..." That's how I originally had it.
I was one line over 25 pages for the contest, and I couldn't find anywhere else to cut at the time. (Now I probably could.) So I combined a paragraph, knowing it would give it less impact. I forgot to change it back. If you'll forgive me, I'll change it now, as that was the intention for that paragraph.
Deb, good guess on middle ages, given what you had to go on. This is actually later--1559. It's the tail end for anyone living in castles. It was rare, but still done.
Tina,
It is so nice to see that your writing carries the same strength as your crit ability. You've been holding out on us. ;-)
I love it ... I got to the end and was thinking, No! I want more. The suspense hooked me, time to turn the page - you played it out quite well.
I really don't have anything to add other than to echo what Christina already alluded to with respect to the contemporary tone of "right?" and "yeah". That did jar me just a bit but honestly, I kind of glossed over it because of the strength of the story itself.
Very nice work. I can't wait to read the entire manuscript.
blessings,
david
Tina,
I loved your chapter one. I tried to leave a comment about it yesterday, but I don't see it here, so I'll try again. You have a wonderful start. I want to read the rest. I have to know what was in that will.
I only have two minor suggestions.
1) Your second sentence starts, "He watched them herd his friends like cattle ..." I understand we should avoid things like, 'He watched ...', or 'He saw ...', or 'She looked ...', etc. because it backs the reader out of the story IF it happens a lot. Because this is the second sentence, I would change it so you don't give a publisher the impression that all your writing is like that. Perhaps you could just say, "They herded his friends like cattle ..."
2) A very minor thing occurs a couple paragraphs later. "One of the men climbed into the driver’s seat of the wagon and whipped the horses. The rest mounted and followed. Jenkin climbed to the gatehouse ..." You use 'climbed' fairly close together, so I'd change the first one, Maybe to "heaved up to the driver's seat" or some other visual verb.
Well that's all I have. Nice work, let me know when I can buy your book.
Tammy
Thanks, David!
Tammy, you're absolutely right about "he watched." In a critique posted here not too long ago, I told someone to avoid that phrase. Amazing how my own writing becomes invisible to me. I've seen it so many times.
Same here, Tammy. At the OCW conference, an editor circled a "she thought" in our manuscript and I thought, "WHAT? How'd that get in there?!?"
How odd that I would pick a paragraph break that you already had. Great minds must paragraph alike! ;-)
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